Linkin Park - One More Light (Filtrado!!)

Yo eso de que no quiera seguir con la guitarra lo puedo entender, no lo comparto, pero entiendo que puedas cansarte de tu instrumento (Aunque justo la guitarra, que hay 1.000 formas de tocarla y de aplicarle efectos para que parezca cualquier cosa....no se, dificil es cansarte, pero bueno)

El caso es que está claro que el futuro del grupo pasará por cosas distintas al rock. Ok, no hay problema. Insisto, el problema es hacer cosas sosas sin chicha y sin personalidad. Anda que no podrían experimentar de mil maneras, haciendo electrónica, o salsa, o como si les da por el drone o lo que quieran, pero algo que al menos podamos pensar que lo han hecho a su rollo.

Ojalá retomen el rock, aunque sea en plan suave, sin gritos, sin mucha caña. Da igual. Pero que sea rock, porque esa es la base del grupo desde siempre.

Pues Invisible y Sorry for now se me han quedado grabadas en la cabeza, son super tarareables, llevo todo el día cantándolas como un bobo Curioso que sean las dos de Shinoda. Y curioso también que la peor del disco con diferencia me parezca Talking to myself, la más rockera.

Para mí la peor del disco es Nobody Can Save Me, no hay por dónde cogerla. Y encima para ser un tema de apertura es mucho más extraño aún, porque los primeros temas siempre habían sido temazos.

el disco lo he escuchado tres veces ayer, la primera vez apestaba a tipica musica que te ponen en un pull & bear o en un gimnasio, a musica ideal para un sabado por la mañana, tambien la tipica musica que escucha una quinceañera

Quizas quieran recolectar publico joven pense

Lo cierto es que tiene un par de temas que me gustan mucho, y tengo ganas de volvermelo a poner, quizas mañana piense lo contrario, la primera escucha me dio nauseas, detesto ese sonido a tienda de ropa pull & bear o berska

El disco mas insustancial de la carrera de LP junto con Living Things pero de largo. No molesta pero tampoco te dan ganas de prestarle mucha atención, muy sin más.

Si quieren experimentar que saquen otro ATS (disco que ha envejecido bastante bien para mi y solo The Catalyst es mejor que todo este disco) pero que saquen este disco tan insulso pues no lo compro.

Me quedo con Talking To Myself, Good Goodbye por el rapeo de Mike y con Sorry For Now pese al pitufo que se ha colado a cantar.

Por cierto, qué coño le pasa a la voz de Chester? cada vez suena más a una caricatura de si mismo... con el vozarrón que tenía este hombre...

Después de este disco creo que el TOP está más que claro

1-Meteora / HT

2 -MTM

3-THP/ ATS

4-LT

5-OML

Ojalá retomen el rock, aunque sea en plan suave, sin gritos, sin mucha caña. Da igual. Pero que sea rock, porque esa es la base del grupo desde siempre.

Con un estilo tipo Living Things o Minutes to Midnight, en el que las guitarras eran rockeras tirando a pop; ya me daba con un canto en los dientes. Lo ideal sería un The Hunting Party (disco notable) con más electrónica y rapeo.

Por cierto, qué coño le pasa a la voz de Chester? cada vez suena más a una caricatura de si mismo... con el vozarrón que tenía este hombre...

Toda la razón, no entiendo que le pasa. O sea, canta bien y tiene una voz preciosa, pero es justamente eso, que se está volviendo demasiado dulce, perdiendo cada vez más el registro rockero. Su voz se está volviendo demasiado pop y eso no es bueno para los que esperamos caña del bueno de Chester.

67 páginas.

COMENTARIO Nº 1000

Me cago en Linkin Pop

Fin de la cita.

Ya he escuchado el disco completo y no es tan malo pero definitivamente no es lo que los fans esperamos, no es nada comparado a otros albums de Linkin park pero tiene algunas canciones rescatables como good goodbye con el rap del buen mike, sinceramente pienso que lp llego a la etapa donde si o si tenian que sacar algo asi para desahogarse mike y chester lo dijeron en muchas entrevistas, muchas bandas lo han hecho, creo que el disco que le siga a este volvera a traer esa esencia rock/metal/experimental del LP que todos conocemos y queremos

Linkin Park vocalist Chester Bennington remains heated regarding the intense criticism leveled at the band by many fans regarding the more accessible turn of their latest album, “One More Light“. Among the things he said on a recent interview with Kerrang!:

“Either you like the song or you don’t and if you don’t like the song because you hear it and on a kneejerk reaction it’s like ‘oh it doesn’t have metal in it so I don’t like it’, that’s fine, like whatever.

But if you’re gonna be the person who says like ‘they made a marketing decision to make this kind of record to make money’ you can fucking meet me outside and I will punch you in your fucking mouth because that is the wrong fucking answer.

Because guess what, calling us a sell out for that purpose is… selling out on your fucking excuse as to why you don’t like it. You’re a fucking pussy. For any band to take musical risks because you like what you’re doing in spite of what you know some people will say they don’t like, it doesn’t matter if they like it or not–what matters is that you took the chance to do something that you felt was important to you and that’s what being an artist is all about.

When we did ‘Minutes To Midnight‘, this was a conversation we literally had, ‘this could end our career’. We all had that real honest conversation like ‘look I know we’re doing this because this is what we love and we really really… this is important to us. This could honestly be like the worst decision we’ve ever made professionally. Creatively probably the best thing, professionally it might be the worst.’ We were like ‘we’re good with that. We can live with that.’

When you make it personal, like a personal attack against who we are as people, like dude shut up. That means that I can actually have feelings about it and most of the time my feelings are I want to kill you.”

Linkin Park vocalist Chester Bennington remains heated regarding the intense criticism leveled at the band by many fans regarding the more accessible turn of their latest album, “One More Light“. Among the things he said on a recent interview with Kerrang!:

“Either you like the song or you don’t and if you don’t like the song because you hear it and on a kneejerk reaction it’s like ‘oh it doesn’t have metal in it so I don’t like it’, that’s fine, like whatever.

But if you’re gonna be the person who says like ‘they made a marketing decision to make this kind of record to make money’ you can fucking meet me outside and I will punch you in your fucking mouth because that is the wrong fucking answer.

Because guess what, calling us a sell out for that purpose is… selling out on your fucking excuse as to why you don’t like it. You’re a fucking pussy. For any band to take musical risks because you like what you’re doing in spite of what you know some people will say they don’t like, it doesn’t matter if they like it or not–what matters is that you took the chance to do something that you felt was important to you and that’s what being an artist is all about.

When we did ‘Minutes To Midnight‘, this was a conversation we literally had, ‘this could end our career’. We all had that real honest conversation like ‘look I know we’re doing this because this is what we love and we really really… this is important to us. This could honestly be like the worst decision we’ve ever made professionally. Creatively probably the best thing, professionally it might be the worst.’ We were like ‘we’re good with that. We can live with that.’

When you make it personal, like a personal attack against who we are as people, like dude shut up. That means that I can actually have feelings about it and most of the time my feelings are I want to kill you.”

Asi se habla chester, cuenta conmigo para zurrarles.

Linkin Park vocalist Chester Bennington remains heated regarding the intense criticism leveled at the band by many fans regarding the more accessible turn of their latest album, “One More Light“. Among the things he said on a recent interview with Kerrang!:

“Either you like the song or you don’t and if you don’t like the song because you hear it and on a kneejerk reaction it’s like ‘oh it doesn’t have metal in it so I don’t like it’, that’s fine, like whatever.

But if you’re gonna be the person who says like ‘they made a marketing decision to make this kind of record to make money’ you can fucking meet me outside and I will punch you in your fucking mouth because that is the wrong fucking answer.

Because guess what, calling us a sell out for that purpose is… selling out on your fucking excuse as to why you don’t like it. You’re a fucking pussy. For any band to take musical risks because you like what you’re doing in spite of what you know some people will say they don’t like, it doesn’t matter if they like it or not–what matters is that you took the chance to do something that you felt was important to you and that’s what being an artist is all about.

When we did ‘Minutes To Midnight‘, this was a conversation we literally had, ‘this could end our career’. We all had that real honest conversation like ‘look I know we’re doing this because this is what we love and we really really… this is important to us. This could honestly be like the worst decision we’ve ever made professionally. Creatively probably the best thing, professionally it might be the worst.’ We were like ‘we’re good with that. We can live with that.’

When you make it personal, like a personal attack against who we are as people, like dude shut up. That means that I can actually have feelings about it and most of the time my feelings are I want to kill you.”

Asi se habla chester, cuenta conmigo para zurrarles.

Mas que fan eres un puto fanboy que le gusta cualquier basura que se saquen del culo, como puedes decirle obra maestra a este disco cuando es el peor de toda su carrera

Ojalá retomen el rock, aunque sea en plan suave, sin gritos, sin mucha caña. Da igual. Pero que sea rock, porque esa es la base del grupo desde siempre.

Veras que lo haran, siento que este album fue algo que realmente tenian que hacer para que se sintieran realizados emocionalmente y si no lo hacian iban a tener ese remordimiento como banda para toda la vida, vamos le ha pasado a muchos grupos y despues vuelven a hacer musica como acostumbran (solo por citar un ejemplo recuerdo a slipknot con all hope is gone y si ya se que no es pop pero no era algo que ellos hacian) asi que pienso que despues de sacarse la espinita de hacer un album mas sentimental, el album que le siga a one more light volvera a ser del rock que le conocemos a la banda