Linkin Park - The hunting party (17-6-2014)

Por lo menos no has gastado...

Algo es algo, sí

[Wirrak]

Nunca había reparado en lo mucho que se parecen unas canciones a otras.

voy recogiendo el chiringuito que me lo habeis dejado todo de mierda... mierda sacada de vuestras bocas!!!

Menudo concierto, mira que es triste estar un viernes aquí sin plan, pero que encima te calcen esta mierda...

Sólo el primer cuarto hasta Wastelands es lo que ha estado bien.

[Wirrak]

Yo me quedo hasta el final que sé que la última es pa echarles de comer aparte.

Ostia el Chester que pena está dando ya con sus bailecitos

Chester tiene ganas de que termine el concierto.

bleed it out me da asco directamente. Nunca me ha gustado nada.

Si si, ya para el final se ponen raperos y duros. TARDE.

Aparte este tema siempre me ha parecido una mierda.

Joder, que reventados están ya... Madre mía.

[Wirrak]

bleed it out me da asco directamente. Nunca me ha gustado nada.

Es que es patética. El estribillo es horrible. Y la usan de cierre, en fin...

Venga os pongo un nuevo analisis del nuevo disco para que os vayais mas animados a la cama:


Linkin Park deliver a new kind of heavy on The Hunting Party. Now, this isn't simply a retread of their first two classics Hybrid Theory and Meteora. No, it's actually fiercer, fierier, and more fluid. This is a band sharpened by years of experience on the road and five previous studio albums. These are men on a mission. Mind you, they succeed with flying colors too, redefining what heavy can mean in the process as all timeless hard rock records should.

"Keys to the Kingdom" begins with a warbling and warped scream from Chester Bennington before galloping into a distinct deadly Brad Delson six-string crescendo. Rob Bourdon bashes out a bruising groove like his life depends on it, while Dave "Phoenix" Farrell deftly throws down on the bass punctuated by Joe Hahn's electronic wizardry. Mike Shinoda drops his signature fire as all of the elements forge together into a teeth kicking opening anthem a propos for any festival worldwide.

The pummeling continues on "All for Nothing" with a little help from Helmet's Page Hamilton. A towering wall of distortion can barely contain Bennington's feral howl, and everything punches with undeniable potency. The first single "Guilty All the Same" enlists an incendiary verse from Rakim, while Shinoda and Bennington fire back and forth punishingly. Airy and atmospheric, a minute-long interlude "The Summoning" sets the stage for the band's most explosive salvo to date, "War". Gnashing punk grit clashes with cybernetic thrash for a two-minute onslaught fortified by impressive soloing from Delson—who truly steps into the spotlight on this album as a modern guitar god. Bennington's screams pierce in the best way possible as well. Shinoda grabs the mic again on "Wastelands", lyrically lighting up some of his best verses since "Nobody's Listening", while the single "Until It's Gone" functions as a bombastic and booming call-to-arms.

Another standout, "Rebellion", sees Linkin Park team up with System of a Down shredder and singer Daron Malakian. He provides a distinct Middle Eastern groove as everybody teams up on a united vocal that's powerful enough to incite revolution. This is a special moment as it codifies the lasting power of the turn-of-the-century rock scene which spawned both groups. One more legend, Mr. Tom Morello pf Rage Against the Machine lends some mind-bending fretwork to "Drawbar", an entrancing instrumental emblematic of their diversity.

"Final Masquerade" should serve as the soundtrack to a film's climax it's so cinematic and chilling. Once again, the boys expand their songwriting seamlessly, drawing true emotion from this moment. However, "A Line in the Sand" is their most epic cut to date teetering between subtle balladry and volatile vocal explosions to a backdrop of instrumental intricacy.

[Wirrak]

Joder Chester mátate.

bleed it out me da asco directamente. Nunca me ha gustado nada.

Es que es patética. El estribillo es horrible. Y la usan de cierre, en fin...

Tiene tela usarla para cerrar

[Wirrak]

El solo de batera