Miercoles 3 Noviembre 20,30h Mungiako Gaztegunea
en frente al Polideportivo de Mungia
GRATIS!!! GRATIS!!! GRATIS!!!
HEIRS (aus)
THE NIGHT TERRORS (aus)
Desde Melbourne, Australia, y dentro de su gira Europea, nos visitan HEIRS. Tras 67 conciertos por Europa y Japon, volvieron a casa a grabar su ultimo envite, FOWL, y han decido regresar al viejo continente, pateandose salas y festivales. Su nuevo larga duracion ya ha sido catalogado como uno de los trabajos mas interesantes en Australia para este 2010. Si alucinais con SWANS, GODFLESH, no os perdais a Laura Bradfield (bajo), Damian Coward (bateria/electronica), Brent Stegeman (guit/programaciones.) e Ian Jackson (guit/sints.) en directo. MUY pasote.
Por su parte, THE NIGHT TERRORS demostraran de lo que son capaces con un eterofono o theremin, un bajo y una bateria. Solo decir que el mismisimo Lou Reed les pego el toque no hace mucho para compartir festival en el Opera House de Sydney. ademas de haber tocado con bandas como Melt Banana, Grey Daturas, Boris, Nick Oliveri, Bardo Pond, y un largo etc.
+info:
Wombat Booking
http://www.myspace.com/wombatbooking
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HEIRS (aus) + THE NIGHT TERRORS (aus) : Mie 3 Nov GRATIS!!
Moderadores: zegers, fear57, Jason, Gorka
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15 Mar, 2007
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15 Mar, 2007
que si, que es gratis!!!
Algunas notas de PRENSA
HEIRS
Upon returning to Melbourne after 67 shows across Europe and Japan, Heirs commenced work on their second album, Fowl. With the baton of core song-writing being handed from drummer Damian Coward to guitarist, Brent Stegeman, Heirs turned their attention toward their electronic underbelly, honing in on the industrial vapour and blackened ambience that
permeated their debut, Alchera, distilling the underlying sense of melody with an arresting sense of dread. Fowl displays a deliberate shift towards a broader sonic palette, enabling the band to incorporate disparate inuences and approaches to create a sound that is uniquely their own.
Fowl deals with the human processing of the ornery the filth we feed upon to entertain us, to sate our hunger, to gratify our sexual desires, to escape our reality or simply to facilitate our survival. Fowl is an exploration of the consumption of filth, the nourishment it provides and the way we excrete it back into the world, calling into question the notion of morality and its place in an increasingly faithless populace.
From wheezing blasts of industrial steam to weeping passages of gothic suspense, Fowl is a fully realised analysis of the repugnant. Its pugilistic rhythmic foundation, reverb soaked guitars, crackling electronics and deadpan dark-wave meditation create an abstract dronescape of industrial dirge and metallic ambience coalesced into an ambitious whole.
Recorded and mixed by Neil Thomason at Head Gap in June/July 2010, and produced by Brent Stegeman and Damian Coward, Fowl is a 45-minute journey inside the proverbial machine and represents a band confronting the visual and aural atrocities of the quotidian.
The VINYL VERSION comes with a fantastic design in three different colors (white with yellow, Black/Yellow - A Side / B Side, Black) in a heavy gatefold sleeves with thick printed inner sleeves and on 180g. The CD is available as a limited card pack. For fans of Swans, Controlled Bleeding, HTRK, Pelican, Godflesh and Nadja.
HEIRS Fowl
Denovali Records
There are bands that deal in songs, and there are bands that deal in textures. Melbournes Heirs are firmly in the latter category. Their debut album, Alchera, was hailed as one of the best instrumental / noise / doom albums of 2009. Their follow up, Fowl, could potentially be hailed as one of the best of all time.
The music contained in Fowl is as disturbing as the image that adorns the front cover. The sense of disquiet starts from the opening track Dust, with minimalist bass and drums and a faint hum of electronics slowly building tension. Its the musical version of American Psycho something very bad is going to happen soon. You know its going to happen. But that doesnt prepare you for the squall of guitar noise that kicks in, and the only thing stopping it from lifting your head right off is the rhythm section acting like a ball and chain.
Never before has such punishing music been so relentlessly hypnotic. The change-up in the nine-minute second track Fowl, grinds so hard and yet fits so perfectly that you almost dont notice it. Its actually shocking when the relentless groove of Tyrant stops, such is its pull.
Without devolving into hyperbole, I havent heard an album this invigorating, and album that sounds so urgent, immediate, essential and yet hypnotic, since, ever. If youre a fan of any genre of heavy music, this is an absolutely essential purchase and a forerunner for Australian album of the year. Brilliant.
Algunas notas de PRENSA
HEIRS
Upon returning to Melbourne after 67 shows across Europe and Japan, Heirs commenced work on their second album, Fowl. With the baton of core song-writing being handed from drummer Damian Coward to guitarist, Brent Stegeman, Heirs turned their attention toward their electronic underbelly, honing in on the industrial vapour and blackened ambience that
permeated their debut, Alchera, distilling the underlying sense of melody with an arresting sense of dread. Fowl displays a deliberate shift towards a broader sonic palette, enabling the band to incorporate disparate inuences and approaches to create a sound that is uniquely their own.
Fowl deals with the human processing of the ornery the filth we feed upon to entertain us, to sate our hunger, to gratify our sexual desires, to escape our reality or simply to facilitate our survival. Fowl is an exploration of the consumption of filth, the nourishment it provides and the way we excrete it back into the world, calling into question the notion of morality and its place in an increasingly faithless populace.
From wheezing blasts of industrial steam to weeping passages of gothic suspense, Fowl is a fully realised analysis of the repugnant. Its pugilistic rhythmic foundation, reverb soaked guitars, crackling electronics and deadpan dark-wave meditation create an abstract dronescape of industrial dirge and metallic ambience coalesced into an ambitious whole.
Recorded and mixed by Neil Thomason at Head Gap in June/July 2010, and produced by Brent Stegeman and Damian Coward, Fowl is a 45-minute journey inside the proverbial machine and represents a band confronting the visual and aural atrocities of the quotidian.
The VINYL VERSION comes with a fantastic design in three different colors (white with yellow, Black/Yellow - A Side / B Side, Black) in a heavy gatefold sleeves with thick printed inner sleeves and on 180g. The CD is available as a limited card pack. For fans of Swans, Controlled Bleeding, HTRK, Pelican, Godflesh and Nadja.
HEIRS Fowl
Denovali Records
There are bands that deal in songs, and there are bands that deal in textures. Melbournes Heirs are firmly in the latter category. Their debut album, Alchera, was hailed as one of the best instrumental / noise / doom albums of 2009. Their follow up, Fowl, could potentially be hailed as one of the best of all time.
The music contained in Fowl is as disturbing as the image that adorns the front cover. The sense of disquiet starts from the opening track Dust, with minimalist bass and drums and a faint hum of electronics slowly building tension. Its the musical version of American Psycho something very bad is going to happen soon. You know its going to happen. But that doesnt prepare you for the squall of guitar noise that kicks in, and the only thing stopping it from lifting your head right off is the rhythm section acting like a ball and chain.
Never before has such punishing music been so relentlessly hypnotic. The change-up in the nine-minute second track Fowl, grinds so hard and yet fits so perfectly that you almost dont notice it. Its actually shocking when the relentless groove of Tyrant stops, such is its pull.
Without devolving into hyperbole, I havent heard an album this invigorating, and album that sounds so urgent, immediate, essential and yet hypnotic, since, ever. If youre a fan of any genre of heavy music, this is an absolutely essential purchase and a forerunner for Australian album of the year. Brilliant.
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