[80] Rebel Souls - "Leviathan"
- Así suena lo nuevo de Hamlet, Acto de fe
- Fecha de Guns N' Roses en Barcelona en junio de 2025
[69] Me First And The Gimme Gimmes - "¡Blow it....at Madison's quinceañera!"
[70] Brat - "Social Grace"
- Pennywise y Propagandhi en Barcelona en 2025
- Confirmados Manowar en España en 2025
- Gira española de No Fun At All en enero de 2025
- Gira de Bad Religion por la península en 2025 con siete fechas
[80] Collapsed Skull - "Your Father's Rage Evaporated In The Sun"
- El festival Sun & Thunder 2025 anuncia sus primeros nombres
Re: Machine Head - Nuevo Disco (2014)
Está bien, no es un temazo pero demuestra una dirección distinta a la tomada en The Locust.
Re: Machine Head - Nuevo Disco (2014)
Escuchandola así por encima, me ha sonado de puta madre. Machín Jed a cholón y con el punto justo de pajilleo instrumental. Mu bien.
Re: Machine Head - Nuevo Disco (2014)
El cover está también buenísimo (y)
Re: Machine Head - Nuevo Disco (2014)
Me mola, subidón a tope a estas horas!
Re: Machine Head - Nuevo Disco (2014)
La versión de Ignite me suena identica a la original. Parece un tema de la epoca del Burning Red 

Re: Machine Head - Nuevo Disco (2014)
La original de Ignite le pega mil vueltas, versión muy innecesaria
Re: Machine Head - Nuevo Disco (2014)
Alguien sabe si el vinilo ha llegado a las tiendas de españa o ya por pedir, de valencia? xD
O sabeis de alguna web donde pillarlo sin que los gastos de envio salgan muy caros?
O sabeis de alguna web donde pillarlo sin que los gastos de envio salgan muy caros?
Re: Machine Head - Nuevo Disco (2014)
fear57 escribió:La original de Ignite le pega mil vueltas, versión muy innecesaria
Spoiler: Mostrar
Sobre todo hecha taaaaaaaaaaaaaan parecida a la original. Yo me esperaba algo más metalero y menos jarcor de andar por casa.
Re: Machine Head - Nuevo Disco (2014)
Si, yo también me la esperaba un poco más cambiada, el tempo más lento por ejemplo. Pero quitando la voz es igual, algo así como la que hicieron Angelus precisamente de MH.
Re: Machine Head - Nuevo Disco (2014)
La canción en sí no está mal pero espero mejores cosas.....
No es que sea un experto en marketing, ¿pero que sentido tiene sacar un adelanto de tu nuevo disco en demo?
Si querían estar en el candelero metes una cara b con sonido bien, u otra versión que en el unto de locust hicieron 2 y a mi modo de ver mas resultonas que esta.
No es que sea un experto en marketing, ¿pero que sentido tiene sacar un adelanto de tu nuevo disco en demo?

Si querían estar en el candelero metes una cara b con sonido bien, u otra versión que en el unto de locust hicieron 2 y a mi modo de ver mas resultonas que esta.
Re: Machine Head - Nuevo Disco (2014)
Pues igual para ver qué critica la gente de la demo y luego retocan aquí o allá en la versión final. Cualquier cosa.
Re: Machine Head - Nuevo Disco (2014)
A mí la versión me ha molado, pero más allá de si gusta o no gusta, el mérito lo veo en que hayan escogido a un grupo como Ignite para versionear ya que por lo general Machine Head suelen hacer versiones de grupos míticos y no de grupos actuales. Son unos cracks, espero con ansia este nuevo disco.
Re: Machine Head - Nuevo Disco (2014)
"Not to say that this record is anything like The Blackening, it isn't. But what I would say is that the song are as epic in scope, if not more so, except where The Blackening was more epic in the guitar department, this is more epic in the EVERYTHING department. Strings arrangements, keyboard arrangements, massive vocal layering (one track, 'Sail Into The Black' has 40 tracks of vocals), drum overdubs, and of course the standard-Machine Head quadruple-tracking of the guitars.I know I brought up The Blackening earlier, but I want to re-iterate, I don't feel this record sounds like The Blackening. It feels like we're still moving forward. If I HAD to compare it to another record of ours, it may be closer to Through The Ashes Of Empires in one aspect only, the simpler song arrangements. It's still what I would just call Classic-Metal, but we've simplified beats, simplified riffs, taken the unnecessary complicated-ness of something and made it simple.
I've even applied that to my lyrics, where I've stripped out a lot of extra words ('the's', 'and's, etc), and invented a lyrical technique I call 'clustering', where you cluster vowels or cluster "plosives" ('K's', 'T's', 'Ch's') together to make it sound heavier, or flow better. It doesn't read all that poetically, but in the song it sounds really cool. I've also really worked hard on sharpening up my rhyme-schemes, finding clever places to place rhymes, instead of the usual place at the end of a line, or even again, "clustering" rhymes. It makes an abstract concept like 'Killers & Kings' (which references 20+ Tarot Cards, and that I'm very proud of the end result) to have a real meaning.
Out of that stripped down musical landscape, we've then taken that new (to us at least) "extra space" and added in layers of strings, layers of dark, ambient keys, layers and layers of vocals, and it sounds HUGE. I just watched a documentary of A Night at the Opera by Queen, and while I'd never EVER put myself in Freddie Mercury's-league, there have definitely been times during this recording where I've drawn a parallel to the epic-ness involved to make this album be what it needs to be.
The A Night at the Opera Of Metal? Well… that's a fuckin' stretch, we are just a metal band at the end of the day, but we're on to something here. "
I've even applied that to my lyrics, where I've stripped out a lot of extra words ('the's', 'and's, etc), and invented a lyrical technique I call 'clustering', where you cluster vowels or cluster "plosives" ('K's', 'T's', 'Ch's') together to make it sound heavier, or flow better. It doesn't read all that poetically, but in the song it sounds really cool. I've also really worked hard on sharpening up my rhyme-schemes, finding clever places to place rhymes, instead of the usual place at the end of a line, or even again, "clustering" rhymes. It makes an abstract concept like 'Killers & Kings' (which references 20+ Tarot Cards, and that I'm very proud of the end result) to have a real meaning.
Out of that stripped down musical landscape, we've then taken that new (to us at least) "extra space" and added in layers of strings, layers of dark, ambient keys, layers and layers of vocals, and it sounds HUGE. I just watched a documentary of A Night at the Opera by Queen, and while I'd never EVER put myself in Freddie Mercury's-league, there have definitely been times during this recording where I've drawn a parallel to the epic-ness involved to make this album be what it needs to be.
The A Night at the Opera Of Metal? Well… that's a fuckin' stretch, we are just a metal band at the end of the day, but we're on to something here. "
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